Untitled

Created in 1973, this striking abstract print dates from an important period in John Edwards’ career, when his work was increasingly concerned with the interaction of colour, rhythm and organic linear forms.

The composition is dominated by a rich orange ground, across which undulating bands of red, yellow, white and dark grey create a complex sense of movement. The repeated vertical forms give the work an almost topographical quality, while the fluidity of the lines introduces a strong organic rhythm.

Produced in a notably small edition of just ten impressions, this example is numbered 2/10 and is signed and dated by the artist in pencil.

The work is an attractive example of Edwards’ contribution to post-war British abstraction and reflects the energetic use of colour and line that characterised his practice during the 1960s and 1970s.

Research & Institutional References

Historical Context

Created in 1973, during a significant period in Edwards’ career as an abstract painter and sculptor. His work during this period explored relationships between colour, organic form and structure, placing him within the wider development of post-war British abstraction.

Public Collections

Works by John Edwards are represented in major British public collections, including Tate, the Victoria and Albert Museum and the Arts Council Collection.