Metallization of a Dream

Created in 1963, Metallization of a Dream is among Paolozzi’s most characteristic graphic works, combining machine imagery, architectural structure and vivid colour into a composition that reflects his fascination with technology and the subconscious.

Printed as a screenprint on heavy wove paper, the composition presents an intricate mechanical construction assembled from interlocking industrial forms, geometric elements and symbolic objects. The carefully balanced arrangement combines the precision of engineering drawing with the imaginative freedom that characterises Paolozzi’s work throughout the 1960s, creating an image that is simultaneously mechanical, playful and enigmatic.

This impression is particularly significant. While the published edition comprised only forty impressions, this sheet is a unique colour variant, personally inscribed by Paolozzi to John Acton OBE. The inscription, together with its distinguished provenance, places the work firmly within the artist’s own circle and distinguishes it from the standard edition.

The print was subsequently included in the British Council’s touring exhibition Nine British Sculptors (1965–66), an important international exhibition promoting post-war British sculpture overseas. Combining exhibition history, personal dedication and an unusual colour variant, the work represents an exceptional example of Paolozzi’s graphic practice during one of the most innovative periods of his career.

Research & Institutional References

Historical Context

Created during a period when Paolozzi was pioneering new approaches to screenprinting while simultaneously producing many of his best-known sculptures exploring technology, engineering and industrial culture.

Institutional Context

Works by Eduardo Paolozzi are represented in major public collections including Tate, the Victoria and Albert Museum, the British Museum and the Scottish National Gallery of Modern Art.